{"version":"1.0","provider_name":"szenik","provider_url":"https:\/\/www.szenik.eu\/de\/","author_name":"sarahk","author_url":"https:\/\/www.szenik.eu\/de\/author\/sarahk\/","title":"Tango Affairs \u2013 Saxofourte | szenik","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"p7Hoe4xH5t\"><a href=\"https:\/\/www.szenik.eu\/de\/event\/tango-affairs-saxofourte\">Tango Affairs \u2013 Saxofourte<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.szenik.eu\/de\/event\/tango-affairs-saxofourte\/embed#?secret=p7Hoe4xH5t\" width=\"600\" height=\"338\" title=\"&#8222;Tango Affairs \u2013 Saxofourte&#8220; &#8211; szenik\" data-secret=\"p7Hoe4xH5t\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.szenik.eu\/wp-content\/uploads\/2023\/10\/Saxofourte-Kathrin-S-2.jpg","thumbnail_width":895,"thumbnail_height":731,"description":"Die Besch\u00e4ftigung mit der Tango-Oper \u201eMaria de Buenos Aires\u201c von Astor Piazzolla lie\u00df die Idee entstehen, das Ensemble um eine Stimme zu erweitern. \u201eEin einzelnes Arrangement und die erste Begegnung mit Kathrins Stimme reichten aus, um zu wissen, dass wir um dieses Stu\u0308ck ein ganzes Programm bauen mu\u0308ssen\u201c, unterstreicht Daniela Wahler. Gemeint ist der Tango [&hellip;]"}