{"version":"1.0","provider_name":"szenik","provider_url":"https:\/\/www.szenik.eu\/de\/","author_name":"sarahk","author_url":"https:\/\/www.szenik.eu\/de\/author\/sarahk\/","title":"Il barbiere di Siviglia | szenik","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RhdBZILVG0\"><a href=\"https:\/\/www.szenik.eu\/de\/event\/il-barbiere-di-siviglia-2\">Il barbiere di Siviglia<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.szenik.eu\/de\/event\/il-barbiere-di-siviglia-2\/embed#?secret=RhdBZILVG0\" width=\"600\" height=\"338\" title=\"&#8222;Il barbiere di Siviglia&#8220; &#8211; szenik\" data-secret=\"RhdBZILVG0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.szenik.eu\/wp-content\/uploads\/2025\/11\/sig0125.jpg","thumbnail_width":1080,"thumbnail_height":720,"description":"Grunds\u00e4tzlich leitet sich das Personal in Rossinis Komischen Opern von der Commedia dell\u2019arte ab und besteht daher meist aus etwas dusseligen \u00e4lteren Herren, die sich in kaprizi\u00f6se und manchmal b\u00f6sartige, dabei aber sehr h\u00fcbsche und sch\u00f6n singende Damen verlieben, die sich wiederum vor allem f\u00fcr nicht mit ihnen verheiratete junge, in der Regel mittellose Herren interessieren."}