{"version":"1.0","provider_name":"szenik","provider_url":"https:\/\/www.szenik.eu\/de\/","author_name":"marinaf","author_url":"https:\/\/www.szenik.eu\/de\/author\/marinaf\/","title":"Hildegard Knef Revisited | szenik","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BOCBqthRWI\"><a href=\"https:\/\/www.szenik.eu\/de\/event\/hildegard-knef-revisited\">Hildegard Knef Revisited<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.szenik.eu\/de\/event\/hildegard-knef-revisited\/embed#?secret=BOCBqthRWI\" width=\"600\" height=\"338\" title=\"&#8222;Hildegard Knef Revisited&#8220; &#8211; szenik\" data-secret=\"BOCBqthRWI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.szenik.eu\/wp-content\/uploads\/2024\/02\/cms.jpeg","thumbnail_width":801,"thumbnail_height":548,"description":"\u201eHildegard Knef ist eine Legende, eine k\u00fcnstlerische Lichtgestalt\u201c, so fasst der Jazz-Musiker Georg Ruby seine Faszination f\u00fcr die 1925 geborene und 2002 verstorbene Chansonni\u00e8re und Schauspielerin zusammen. Gemeinsam mit der luxemburgischen S\u00e4ngerin und Performerin Sascha Ley hat Ruby ein au\u00dfergew\u00f6hnliches Projekt auf die Beine gestellt, das Hommage und Update zugleich ist. Statt klassischen Interpretationen von [&hellip;]"}