{"version":"1.0","provider_name":"szenik","provider_url":"https:\/\/www.szenik.eu\/de\/","author_name":"sarahk","author_url":"https:\/\/www.szenik.eu\/de\/author\/sarahk\/","title":"Giacomo Puccini: Tosca | szenik","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tcB9fL5ZBC\"><a href=\"https:\/\/www.szenik.eu\/de\/event\/giacomo-puccini-tosca\">Giacomo Puccini: Tosca<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.szenik.eu\/de\/event\/giacomo-puccini-tosca\/embed#?secret=tcB9fL5ZBC\" width=\"600\" height=\"338\" title=\"&#8222;Giacomo Puccini: Tosca&#8220; &#8211; szenik\" data-secret=\"tcB9fL5ZBC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.szenik.eu\/wp-content\/uploads\/2024\/02\/Burghof_Compagnia-Nuova-Foto-C-Schutte-3_Bild_Desktop-1200x675-1.jpg","thumbnail_width":1200,"thumbnail_height":675,"description":"Giacomo Puccinis Opern bestechen gemeinhin mit herzzerrei\u00dfenden Liebesgeschichten, riesenhaften Orchesterapparaten und pomp\u00f6sen Anlegungen. Dass eine Oper wie \u201eTosca\u201c aber auch im ganz intimen Rahmen funktioniert, zeigt die Berliner Compagnia Nuova in ihrem zweiten Gastspiel in L\u00f6rrach. Das Ensemble adaptiert den Stoff, der urspr\u00fcnglich im Jahr 1800 in Rom spielt, an heutige Gegebenheiten und verwandelt den [&hellip;]"}