{"version":"1.0","provider_name":"szenik","provider_url":"https:\/\/www.szenik.eu\/de\/","author_name":"sarahk","author_url":"https:\/\/www.szenik.eu\/de\/author\/sarahk\/","title":"Die tote Stadt | szenik","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jrOPOMAtCe\"><a href=\"https:\/\/www.szenik.eu\/de\/event\/die-tote-stadt-3\">Die tote Stadt<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.szenik.eu\/de\/event\/die-tote-stadt-3\/embed#?secret=jrOPOMAtCe\" width=\"600\" height=\"338\" title=\"&#8222;Die tote Stadt&#8220; &#8211; szenik\" data-secret=\"jrOPOMAtCe\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.szenik.eu\/wp-content\/uploads\/2026\/06\/BSK_Digitale-Formate_Tote_Stadt_FB-Titel1.png","thumbnail_width":828,"thumbnail_height":315,"description":"Mit dem Roman Das tote Br\u00fcgge ver\u00f6ffentlichte der belgische Symbolist Georges Rodenbach 1892 einen Bestseller des Fin de Si\u00e8cle: Parallelen ziehend zur einst florierenden und nun in Agonie verfallenen fl\u00e4mischen Handelsstadt, erz\u00e4hlt er die Geschichte des jungen Witwers Paul, der sich emotional so sehr an die gl\u00fcckliche Vergangenheit und seine verstorbene Frau klammert, dass er sogar an ihre Wiederkehr in Gestalt einer Anderen glaubt."}